In the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally straight-backed, his limbs muscular beneath a simple white T-shirt. On stage, ballet dancers can seem as powerful gods, yet often offstage they are small. Not so Ball, whose height is one reason for his popularity for princely characters and pas de deux work. Possessing delicate features and intense eyes, there's a hint of a brooding actor about him.
An Apparent Ascent to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has progressed seamlessly. Raised in Liverpool, he encountered little ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was promoted each year, attaining the top rank of lead dancer in 2018. He has loved taking on meaty characters, particularly the emotional turmoil found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
Ball's upcoming featured role is in a talk, in an "Evening With" series aiming to offer intimate insights into a dancer's craft. He will guide the audience through a part, demonstrating his cognitive process while performance. Yet in lighter ballets, the test is profound. "A classic ballet is one of the toughest from a skill perspective," he notes.
The Mental Game and After the Show Emotions
How does he feel following a performance, when he has succeeded? "It's pretty good," he says. "However because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. After an intense role I'm always like: Wow, what must people think?"
Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker previously remarked on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."
Formative Drivers and Creative Influences
Ball's tenacity stemmed from early experiences. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.
An upcoming endeavor is making his own choreography. For Ball, "there's nothing wrong with." "Breaking the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, compositions, and painting.
Close-Up Dance and Personal Dynamic
He also favors staging dance in more intimate venues. "It was just really exciting," he says of a previous experience. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"
Ball has made duets with his girlfriend, fellow principal Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest supporter."
Regarding Instagram and Physical Image
On social media, fans can see clips from his projects and photos that showcase a athletic physique. Does he care that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—something that can be seen on various ways.
Ball describes his younger self as "eager for success." Has it lived up to his hopes? "I am conscious of how reality is a separate thing to the dreams you made as a child," he muses. He likely has about ten years of performing left. "I guess in the time to come, I want to be a bit more kind with myself."